Some say I have a beautiful voice, some say I have not. It is a matter of opinion. All I can say, those who don't like it shouldn't come to hear me.

Maria Callas, American-Greek soprano

Singing and vocal technique are very particular disciplines, and men and women don’t have the same vocal ranges. The size of the vocal cords affects the type of voice each gender has. Of course, within the genders, there are multiple different vocal ranges. While you might be familiar with terms like tenor, baritone, or bass, these are all male vocal ranges. This is why different singers will sing different types of songs. There’s something for everyone. So what are the main types of female voice? In this article, we'll look at the four main female voice types, their subcategories, and why we classify them.

Voice TypeTypical RangeVocal QualitiesFamous Singers
SopranoC4–C6Bright, agile, strong upper register, clear toneMariah Carey, Julie Andrews, Sarah Brightman, Diana Ross
Mezzo-SopranoA3–A5Warm, rich, flexible; strong mid-rangeMadonna, Rihanna, Janis Joplin, Barbra Streisand
ContraltoF3–F5 (can extend lower)Deep, resonant, rarest female voice typeCher, Annie Lennox, Amy Winehouse, Tracy Chapman
Coloratura SopranoC4–F6+Extremely agile, capable of fast runs, trills, ornamentationMaria Callas, Diana Damrau, Joan Sutherland
Lyric SopranoC4–D6Warm, expressive, less agile but powerfulRenée Fleming, Anna Netrebko
Dramatic SopranoA3–C6Powerful, dark, weighty sound; suited for intense rolesMaria Callas, Birgit Nilsson
Lyric Mezzo-SopranoA3–A5Smooth, lyrical, expressive mid-rangeAlicia Keys, Adele
Dramatic Mezzo-SopranoG3–G5Strong, weighty tone; powerful projectionFlorence Welch, Annie Lennox
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The Three Primary Female Voice Types

As we’ll see later, things aren’t quite that simple, but for this article, we’re going to look at four main female voice types. You'd likely cover these in singing lessons. Remember that voice types generally have a range and a tessitura, so before we explore these voice types, here's range and tessitura explained.

Vocal Range

All the notes you can physically sing, from your lowest to your highest.

  • It includes your extremes (even the uncomfortable ones).
  • It’s your full capability, not what you normally use.
  • Example: A singer might reach C3 to E6, but only a few of those notes feel good.

Think of it as the whole map.

Tessitura

Where your voice is most comfortable, resonant, and healthy.

  • It excludes the extremes.
  • It’s the range you can sustain for long periods without strain.
  • It’s your “home base” — where your voice sounds best.

Think of it as the neighborhood you actually live in, not the whole city.

A woman singing in front of a stage light.
Different voice types typically go better with certain songs and genres. | Photo by Josh Rocklage
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How to Identify Your Voice Type

Finding your voice type takes more than singing a few high or low notes. Your range gives you a rough idea, but your tessitura (where your voice feels natural and effortless) is the real key.

Most singers discover their type by noticing where their voice resonates, how easily they transition between registers, and which notes cause strain or fatigue. Working with a teacher or coach helps you avoid guessing and ensures you don’t push your voice into areas that cause tension or long-term damage.

Soprano

Soprano
Range:
C4–C6 (many extend higher)
Characteristics:
Bright upper register, agile tone, clear projection, ringing and light with emotional intensity
Typical Tessitura:
D4–A5
Best-Fit Genres:
Classical, ballads, musical theatre, folk, choral leads

The higher range is the soprano voice. This is very common among women and children. Famous sopranos include:

Julie Andrews
Sarah Brightman
Mariah Carey
Demi Lovato
Dolly Parton
Diana Ross
Here's Sarah Brightman singing Time to Say Goodbye with Andrea Bocelli.
A girl singing on stage.
Don't forget that your voice type may change throughout your life. | Photo by Elizeu Dias

Mezzo-Soprano

Mezzo-Soprano
Range:
A3–A5
Characteristics:
Warm middle voice, smooth blend, expressive tone, versatile across styles
Typical Tessitura:
B3–F5
Best-Fit Genres:
Pop, R&B, musical theater, contemporary styles

The most harmonious and musical voices are often considered to be the higher ranges. When it comes to the female vocal ranges, there are two main types. The mezzo-soprano voice is the intermediate voice, which is both light and rich. A mezzo-soprano voice can sing a lot of contemporary music and integrate comfortably into a choir. This type of voice is quite common among women, and there are plenty of famous singers with it. Famous examples include:

Janis Joplin
Madonna
Rihanna
Barbra Streisand
Adele
Lady Gaga
Here's Lady Gaga's Bad Romance, a good example for contemporary mezzo-soprano voices.

Contralto

Contralto
Range:
F3–F5 (often extends lower)
Characteristics:
Deep, rich, resonant tone, smoky colour, powerful low register, naturally rare and dramatic
Typical Tessitura:
G3–E5
Best-Fit Genres:
Soul, jazz, blues, darker pop, acoustic folk

Additionally, we find contralto, which is quite an uncommon vocal range for females. There are even some children with this vocal range, but it’s on the lower end of the scale for them, too. This is a warm voice, and there are many famous female singers with this voice type. The most famous contraltos include:

Cher
Judy Garland
Annie Lennox
Joni Mitchell
Amy Winehouse
An 80s classic and a fine example of contralto singing.

This is just a way to classify voices by the range of notes they can perform, and male voice types are classified differently. There are also subcategories of female voices that help us classify voices more accurately.

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Why Tessitura Matters More Than Range

A singer’s highest and lowest notes may sound impressive, but they don’t reveal how the voice truly functions. Tessitura tells you where your voice naturally sits, which is why it’s more useful than raw range when choosing repertoire.

Two singers with the same range can have completely different tessituras, leading one to fit soprano roles and another to suit mezzo or contralto parts. Understanding tessitura helps you select songs that highlight your strengths, protect your vocal health, and let your natural tone shine without strain.

Female Voice Ranges Subcategories and Extended Classifications

So while we can classify female voices into four broad groups, we sometimes need to be more precise in how we classify them by musical technique. There are so many factors that can affect a voice. There are three main sub-categories of voice: light voices, lyric voices, and dramatic voices. These group voices, in terms of their heaviness, can all be found within the main ranges we saw before. Make sure you’re singing songs within your range and heaviness. Light voices can chain together notes with ease and do better with their upper ranges than other voice types. Lyric voices excel in the middle ranges of their voice type, while the dramatic voices aren’t as agile but feel much more comfortable at the lower end of their range.

A girl singing
While range is important, it's better to find the notes that you're comfortable singing. | Photo by Mike Bautista

Coloratura Soprano

Coloratura Soprano
Range:
Generally C4–F6+, often with extreme upper extensions
Characteristics:
Highly agile, fast runs, light and flexible tone, precise pitch, effortless upper leaps and ornamentation
Typical Tessitura:
E4–E6
Best-Fit Genres / Roles:
Opera coloratura roles, virtuosic arias, ornament-heavy classical repertoire, showpiece vocal lines

We tend to add an extra subcategory to light voices: the coloratura soprano, for example, is famous for its agile runs. In short, there’s a whole landscape when it comes to voice types.

Probably the most famous example of a colotura aria.

Lyric and Dramatic Classifications

Lyric and Dramatic Classifications
Range:
Varies by voice type (soprano, mezzo, contralto), typically within standard range but defined by weight and color rather than pitch
Lyric Characteristics:
Warm, rounded, expressive tone, smooth phrasing, emotional richness
Typical Lyric Tessitura:
Sits comfortably in mid-to-upper register
Dramatic Characteristics:
Powerful, weighty, commanding sound, strong lower overtones, impactful projection
Typical Dramatic Tessitura
Sits lower within the voice type, with strong chest engagement
Best-Fit Genres / Roles:
Lyric suits lyrical opera roles, ballads, expressive melodic lines, cinematic vocals. Dramatic fits heroic or intense operatic roles, big belting passages, emotionally charged repertoire

A lyric soprano tends to be referred to as just a “soprano”. They’re more powerful than light sopranos and are suited for expressive pieces. Giacomo Puccini’s Madame Butterfly, for example, is famous for this type of voice. Then there’s the dramatic soprano and the singer Maria Callas, who was this voice type incarnate. It’s also the most powerful subcategory of voice. The range also includes a few notes lower than that of a lyric soprano.

Maria Callas doing what she did best, sing.

The Reason for Classifying Female Voices

The range of vocal ranges is impressive and they allow us to classify a performer’s abilities so that composers can write music for them or performers can audition for the right roles, which is why you should find out how to work out what your voice type is. Knowing your vocal range is important for your career choices. Each voice type is suited to a different type of music or a different piece. Imagine trying to sing heavy metal with a light soprano at the helm. It just wouldn’t work. It’s important to know what you can and can’t do in terms of your voice. The subcategories of female vocal ranges didn’t come into existence until the 19th century. During the 18th century, male and female voices were distinguished only by whether they were high or low.

A woman singing on stage.
Singers should play to their strengths, which means finding songs in their range and tessitura. | Photo by Richard Wang

Over time, the classifications were refined until we reached the different classifications we have today. They allow singers to perform to their strengths and enjoy pieces that work with their timbre and range. Whether it’s vibrato, a head voice, warming up, etc., there are so many techniques that singers need to master so they don’t want to be singing outside of their range or singing pieces that don’t match their voice. The more comfortable you are when singing, the better you’ll sing and the more progress you’ll make.

What voice type are you?

Contralto0%
Mezzo-Soprano0%
Contralto0%

Work with Your Voice Type with a Private Tutor

So, are you ready to work out your voice type? If you need to know more about your tessitura, are trying to hit those high notes, or want to take care of your vocal folds, consider getting help from a voice teacher who can help you discover your voice range, go through vocal exercises with you, and take care of your vocal health. You can also learn more about registers from a singing coach or tutor. They can even show you artists with the same tessitura as you. Again, a tutor can help you work out the best repertoire.

If you'd like to learn more about singing, consider singing lessons online from one of the talented tutors on Superprof.

No matter which type of singing coach you go for, they'll be able to help you identify your voice type, plan lessons to improve your voice, and suggest songs and activities that work best with your tessitura. Don’t hesitate to get a singing coach or tutor (on Superprof, for example) to help you find your voice.

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Maria Rodriguez

Online contact creator for Superprof. I am passionate about coffee, blogging, and exchanging ideas through online mediums.